But inside there were other influences. Ulysses with its shifts in style reflective of content and theme. Having a play within it for instance. And it...had some of the complete weirdness of Pynchon’s Gravity’s Rainbow. But it was like Proust in being one long look back at a life. Joe thought of it as a sort of Curriculum Vitae. Not intended to get a job of course. But to make the case that the woman had a life of significance. That her life made a difference in the world. And he decided to call. I looked into the kitchen once more and saw Caderousse sitting by the side of a long table upon one of the low wooden stools which in country places are frequently used instead of chairs; his back was turned towards me, so that I could not see the expression of his countenance--neither should I have been able to do so had he been placed differently, as his head was buried between his two hands. La Carconte continued to gaze on him for some time, then shrugging her shoulders, she took her seat. More

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