But let me be frank, Ann, you focused on Medieval art. Why do you want ajob at a contemporary art gallery? Why not work for a museum or auctionhouse..."It was a verbal body blow. Ann had steeled herself for questions abouther lifestyle, but instead she was being grilled about her experience.She regrouped quickly, and talked for five minutes about her appreciationof contemporary art, how she developed transferable skills, and how shewanted to be part of the art scene. As she finished she noted. ”The tiny lady behind the order counter beamed up at José and they exchanged greetings in Vietnamese. What I assumed was Vietnamese.José López was around 70, and still stood tall. Wide shoulders, strong-looking hands. No relation, as it turned out to Miranda L. We talked about his background.“Was raised Catholic, but lost my faith over there.”“Vietnam?”“Two tours. Then I became like Cassius Clay — Man, I ain’t got no quarrel with them Viet Cong.”José spoke softly, without bitterness. It was. More

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