S five. Then when Allison made it two from two and Carol Meyer could only manage an eight-spare we had the advantage. Unfortunately it was short-lived... Robert Miles missed his strike and so did I, and when Calvin Brewster, Deanna Stein and Georgina Lloyd produced strikes in the seventh, eighth and ninth frames even a strike in the ninth from Tony Casey and three in the tenth from Stephanie King wouldn't be enough if Brad Cooper opened with a double in the tenth. He didn't need to, when Steph'. He can hear her low and husky voice with hardly any effort at all - because at this point in their relationship he knows exactly what she wants by the sounds she makes. She's a woman of many moods. Of more facets than he ever remembers having in a lover. And her voice is often the key to those moods. When she wants control, her voice is direct. When she wants to be dominated, it is small. When she wants to be courted into sex, it has the quality of a question. When he touches her legs or her. More

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